Welcome to the thoughts that wash up on the sandy beaches on my mind. Paddling is encouraged.. but watch out for the sharks.
How did you know I'm writing a Noir Essay right now?HOW???WHERE ARE THE CAMERAS???
I think that they call it 'Remote Viewing'... or maybe, just maybe coincidence. [grin]What's the essay title?
It's on Neo-noir and noir's historical specificity.As predicted, I have tried to blow both concepts out of the water and prove that John Carpenter's The Thing is a noir film.[insane grin]
TF said: It's on Neo-noir and noir's historical specificity.OK..... [grin]TF said: I have tried to blow both concepts out of the water and prove that John Carpenter's The Thing is a noir film.Well, it *was* noir... wasn't it? [laughs]Are you referencing 'The Philosophy of Neo-Noir' edited by Mark Conrad? I haven't read it yet but it sounds to be exactly what you need.
How did you know I'm writing a Noir Essay right now?
ReplyDeleteHOW???
WHERE ARE THE CAMERAS???
I think that they call it 'Remote Viewing'... or maybe, just maybe coincidence.
ReplyDelete[grin]
What's the essay title?
It's on Neo-noir and noir's historical specificity.
ReplyDeleteAs predicted, I have tried to blow both concepts out of the water and prove that John Carpenter's The Thing is a noir film.
[insane grin]
TF said: It's on Neo-noir and noir's historical specificity.
ReplyDeleteOK..... [grin]
TF said: I have tried to blow both concepts out of the water and prove that John Carpenter's The Thing is a noir film.
Well, it *was* noir... wasn't it? [laughs]
Are you referencing 'The Philosophy of Neo-Noir' edited by Mark Conrad? I haven't read it yet but it sounds to be exactly what you need.