It’s probably one of the greatest stories ever told – a war to retrieve on of the most beautiful women ever to have lived, fought over 10 years with Heroes on each side, laying siege to the greatest city of the age and ending in its utter destruction. These events resonate down the centuries and make up two of the all-time classic pieces of western literature which have given rise to a host of books, movies, poems and much else besides. But did any of it really happen? Did Hector, Paris, Achilles and the rest really exist? Did Troy fall as related in the story, did it even exist in the first place or was the whole thing an elaborate work of fiction? Did Homer even exist? This small volume aims to answer at least some of those questions. The answers will both intrigue and, undoubtedly frustrate you – I know they did me!
The short answer is yes, Troy existed although it was called by many names by the numerous cultures surrounding it (including Ilium where we get Iliad). The more complete answer is that a city had existed on the agreed site of Troy for a great span of time with city built on top of city as each fell (often due to earthquake as well as war) and was rebuilt. Frustratingly none of them quite match up with the apparent timelines of the books. Likewise some of the heroes seemed to have existed but others (Ajax in particular) seem to have been imported into the story from earlier sagas complete with outdated armour and weapons. Did the war exist and what about the infamous Trojan Horse? There is certainly evidence for some kind of military defeat in the ruins of Troy but nothing definitive – again not in the proposed timescales of the books. Unfortunately there’s no direct evidence for the famous equine and the story itself seems to have been added later by other authors.
The tales themselves betray the fact that they were spoken epics long before they were finally written down – there’s even a theory that the Greek written language itself might have been created (modified from an existing written language) to transfer a spoken story to something a little more solid. Tales grow in the telling and anomalies or embellishments creep in over time. Both the Iliad and Odyssey show this happening as existing tales and myths are incorporated or adapted into a new story which show up as anachronistic elements that were presumably accepted for what they were – plot devices and homages to previous tales of honour, glory and tragedy.
Of course none of the finds are without controversy, argument and counter argument, reputations made and destroyed, lies told and academic flame wars fought as fiercely as the Trojan War itself might have been. It’s all grist to the mill and makes a fascinating tale all the more interesting if that’s possible. Recommended for anyone who wondered what all the fuss was about.
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