Just Finished Reading :
Classical Mythology – A Very Short Introduction by Helen Morales
I have been interested and often fascinated by Myth for as
long as I can remember. I think I grew up hearing about and then reading about
Norse and Greek myths before I knew exactly what they were or what they meant.
I’m guessing that’s something else I can thank my father for.
This excellent little volume isn’t one of those that retells
or catalogues the myths of the ancient world. There are certainly enough of
those around and the already crowded market doesn’t need another. What this
well written, thoughtful and sometimes surprising book does is look at where
myth comes from, what it means to those who create it – and live inside it –
and how it shaped both the ancient and the modern world. Starting with the
Greek myth of Europa the author shows how the original Greek tale has been
modified, reinterpreted and used by political movements (and others) as a
metaphorical social glue to advance their idea of Europe
– both to its inhabitants and to the rest of the world. Of course myths have
always been pliable, able to be moulded to the needs of those who would seek to
use them to influence others or simply to make money (from, for example,
Hollywood blockbusters). Purists protest at this lack of ‘mythological
correctness’ but variations on a theme has always played its part in classical
mythology. After all they have come down to us literally by word of mouth and no
one version can be viewed as ‘gospel’. Without giving a synopsis of the whole
book I’d have to focus on several chapters I found particularly interesting.
One was on heroes which are a particular interest of mine at the moment in
which the author digs deep into what makes and, of equal importance, what does
not make someone a hero. The other was on sex and sexuality in classical myth
(quite a lot as anyone who has read Greek mythology will know) and how this has
often been covered up – quite literally in the many mythic paintings adorning
the walls of galleries around the world – and how the often sanitised versions
presented today make much less sense compared to the original unexpurgated
versions.
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