My Favourite Movies: Blood Simple
I clearly remember watching this movie on video in the
mid-1980’s. At the time I was probably not alone in being completely ignorant
of the Coen brothers who wrote and directed this dark and disturbing film Noir
outing, after all it was their first movie! Looking back with 20-20 hindsight
it’s clear that not only did the brothers have talent but that their quirky
film making would take them far – including to the Oscars more than once.
Blood Simple (1984) has a deceptively simple plot. Marty
(played by Dan Hedaya) is convinced that his wife Abby (Frances McDormand) is
having an affair so hires a private detective (M. Emmet Walsh) to find him
evidence for a potential divorce. When the evidence is found Marty asks if the
detective will kill his wife and her lover Ray (John Getz). For $10,000 the
answer is yes. But the detective has no intention of actually killing the
illicit couple. He has a much better idea. Providing spurious evidence of their
deaths he collects his money and then shoots Marty with his wife’s stolen gun.
Thinking he has committed the perfect crime he pockets the money and leaves
with a smile on his face. Only later does he realise that one of his fake
pictures is missing and he can’t find his lighter. But when he returns to the
scene of the crime he discovers that the body has gone and that someone has
cleaned up after his killing. It’s then that things become far less simple than
he had expected.
Looking back from the giddy heights of 2012 it is easy to see
Blood Simple as a crude 80’s Noir knock-off trying to be more than its simple
storyline would suggest. In many ways that is a fair assessment. It is indeed a
rather crude film. But what elevates it about the norm and makes it, in my
mind, a minor classic of its type is the sparse dialogue and the often
outstanding cinematography. As my regulars will know I am a sucker for a well
framed image. This movie offers plenty examples of that seemingly easy but in
reality difficult art of presenting the audience with images that stick in your
mind long after the film finishes. Two certainly spring to mind: where Ray is
standing behind Marty as he slowly crawls away from the car, illuminated only
by its headlights on a dark road, carrying the shovel he brought along to bury
the body. The other is where Abby, hiding in her bathroom after driving a knife
into the detective’s hand pinning him to a window ledge, watches as he fires
his gun repeated through the wall in the hope of killing her.
3 comments:
Yeah, this one almost comes off like a student film--especially, as you say, when looked at from the perspective of what the Coens became. Hard to imagine in only six years we got Miller's Crossing. Such brilliance.
Brilliance indeed. I've really enjoyed pretty much everything of theirs I've seen. LOVED Fargo!
Only the Coens could have made Fargo. Well, and so many others--Big Lebowski, O Brother, Man Who Wasn't There. No Country For Old Men was another fantastic smash (though as much Cormac McCarthy as Coens--still, a great symbiosis).
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