My Favourite Movies: Leon
Leon (played by Jean Reno) is a ruthless killer – an
assassin or ‘cleaner’ as he is euphemistically known. He is emotionless, highly
focused and totally deadly. Living in a run-down apartment block in New York he
witnesses a hit next door when operatives from the DEA led by a crazed officer
know only as Stansfield (played in his usual menacing over-the-top fashion by
Gary Oldman). The only survivor of the bloodbath is the 12 year old Mathilda
(played exceptionally by the young Natalie Portman) who walks past the carnage
and begs to be let into Leon’s apartment. Torn between his need for anonymity
and his feelings for another person – a child – in distress he opens the door
and lets her in. Little did he know that by doing so he will start the road to
becoming a better person, a more emotional and loving person but also a road
leading to bloody violence as Leon begins to teach Mathilda the basics of
‘cleaning’ so that she can revenge herself on the men who killed her baby
brother in cold blood.
I am a huge fan of both the director (Luc Besson) and main
actor in this film. The combination of Besson and Jean Reno was, for me, a
definite must see. When I first went along I obviously had no idea who Natalie
Portman was but I would have been in very good company as this was her first
major outing then aged 13. Clearly I thought, this girl has very great
potential. Even with the lack of experience she almost stole scenes from both
Reno and Oldman. That’s quite something for someone that young! Of course Reno
is the star of the film – Oldman just plays Oldman and is in many ways
practically disposable – it is his character that grows, his character that is
the focus of the film and his character who starts to believe that there is
something more to life than being an efficient killer and drinking lots of
milk. Of course being about a man in a violent profession the movie contains
its fair share of violence but I don’t think it really deserves its 18
certificate (on my DVD anyway). The violence is over pretty quickly and,
generally, there isn’t buckets of blood thrown around. I suppose that it was
the casual nature of some of the violence and the fact that some of the victims
were women and children – something that the character Leon takes particular
offence over. But you shouldn’t let that put you off. Today’s films are far
more violent than even those made 5 or 10 years ago (although that’s not
exactly a good trend nor is it a recommendation) so you should be able to cope
with it. Focus instead on the story and the character development, something
quite rare in movies these days.
4 comments:
I've seen this movie a number of times and love it. You're right about Portman. She made the movie for me. Here the movie was listed as: "The Professional." I looked on IMDB and it lists it as: "Leon: the Professional."
I didn't realize that was Portman. Who would have guessed!?
V V said: You're right about Portman. She made the movie for me.
Mostly I don't like kids in movies. Most of them, understandably, are really bad actors. Portman here was very good especially as it was effectively her first movie.
Karlo said: Who would have guessed!?
Yup. She's grown up quite a bit since then.
I love this film and, in general, the stylishness and flow of Besson films. There's almost a musical quality to them, like an opera. The violence is not superfluous but rather a thematic component of the "opera".
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