Yes..... THAT'S the reason I buy SO many books.... Yes.... [lol]

Just Finished Reading: Twilight Cities – Lost Capitals of the Mediterranean by Katherine Pangonis (FP: 2023) [254pp] 

Whenever we think of ancient Mediterranean cities our minds quickly go to the Big 3 – Rome, Athens and Alexandria. But what of the others? Those cities that rivalled the Big 3 or simply pre-dated them. What of them? What are THEIR histories and where are they now – apart from largely forgotten. This is their tale. 

Starting in Tyre (Lebanon), home port of the Phoenician traders of early antiquity the author moves to their most famous settlement – Carthage (Tunisia), now a rather underappreciated part of the capital Tunis. From there we move to the much fought over strategic port of Syracuse (Sicily), site of encounters between the Carthaginians and Romans during the three Punic Wars that made Rome the Mediterranean super-power of the period. On then to Ravenna (Italy) which had a very varied history including, for a short period, being the capital of the western Roman Empire itself. Finally, we visit Antioch (Turkey) so recently [at time of the book’s publication] virtually destroyed in a massive earthquake. 

Whilst certainly being aware of the history of Carthage and most especially the series of wars between it and Rome I was initially unaware of the other places beyond their names and rough locations. Needless to say, I learnt a LOT here. Although the history of the region is dominated by Rome, Greece and Egypt – often for very good reasons – there was much more going on here. The other cities and other empires were not just bit-players in the well-known stories of the Big 3, but players in and of themselves. Missing them out not only leaves the other, more well-known, players without either foundation or motivation for their actions but diminishes the rich cultural environment of the ancient world of which they were part. This informative book revives that importance and left me with a greater appreciation of the interplay of these cities in the history of the region itself. One thing I particularly liked was how the author put each city into its historical context, often bringing things up to the present as she visited each site and talked to the locals about their own histories. This certainly whet my interest to dig deeper into the non-Big 3 cities/states/empires. So, more to come. Recommended to anyone interested in the ancient world and looking beyond the Roman Empire.

Oh, and a shout-out to a quite lovely cover - which is why I spotted it to begin with! 

It was one of the few things I didn't like about my last job - the *constant* interruptions @ lunch as I munched on my sandwich or tucked into a DIY salad (from our excellent on-site salad bar) with book in hand at my desk. I purposedly put my book in plain sight to indicate that I wasn't @ work. No noticeable effect. I did think seriously, more than once, of taking my lunch break elsewhere - but it was just too convenient staying at my desk....  

Happy Birthday: Lucrezia Borgia (18 April 1480 – 24 June 1519) was an Italian noblewoman of the House of Borgia who was the illegitimate daughter of Pope Alexander VI and Vannozza dei Cattanei. She was a former governor of Spoleto.

Her family arranged several marriages for her that advanced their own political position, including to Giovanni Sforza, Lord of Pesaro and Gradara, Count of Cotignola; Alfonso of Aragon, Duke of Bisceglie and Prince of Salerno; and Alfonso I d'Este, Duke of Ferrara. Alfonso of Aragon was an illegitimate son of the King of Naples, and tradition has it that Lucrezia's brother Cesare may have had him murdered after his political value waned.

Notorious tales about her family have cast Lucrezia as a femme fatale, a controversial role in which she has been portrayed in many artworks, novels, and films.

Lucrezia was described as having heavy blonde hair that fell past her knees, a beautiful complexion, hazel eyes that changed colour, a full, high bosom, and a natural grace that made her appear to "walk on air". In another description, the author wrote that "her mouth is rather large, the teeth brilliantly white, her neck is slender and fair, and the bust is admirably proportioned." These physical attributes were highly appreciated in Italy due to the similarity of her description with that of the Roman goddess of arts and war, Minerva.

Since her death, several rumours surrounding Lucrezia have persisted, primarily concerning the nature of the extravagant parties thrown by the Borgia family. One example is the legendary Banquet of Chestnuts. Many of these allegations concern accusations of Lucrezia's involvement in incest, poisoning, and murder. For example, it was rumoured that Lucrezia was in possession of a hollow ring that she used to poison drinks. However, no historical basis for these accusations exists, beyond the attacks of her enemies.

[I've been interested in Lucrezia since watching the 1981 BBC series The Borgias where she was played by Anne-Louise Lambert. With some luck I'll be reading about her and her notorious family later in the year.]

Happy International Bat Appreciation Day!

I think that The Matrix is trying to tell me *something*.... What...? ALL of them....?!?

Just Finished re-Reading: Mona Lisa Overdrive by William Gibson (FP: 1988) [316pp] 

A Corporate War was coming. To protect her as much as possible, Kumiko Yanaka has been sent to freezing London in the care of her father’s ‘business associate’ and a state-of-the-art mobile AI called Colin. Meanwhile on the other side of the Atlantic a group of misfits hiding out in an industrial contamination zone have been tasked to hide a comatose hacker connected to a medical gurney and enough computing power to hold an entire world and more. Enter Sally, AKA Molly, a soldier, street samurai, agent for hire. She’s being blackmailed to kidnap the biggest star in the Matrix for purposes unknown. The blackmailer is the ‘ghost’ of a deceased billionaire who refuses to accept the reality of her own demise. Within the Matrix itself things move in the data streams. Things that have only just emerged, things with their own powers and own agenda, Things that have done something that will change EVERYTHING. 

This is the 3rd volume in the Sprawl trilogy. I first read it around the time of publication when Gibson was blowing my mind with possibilities. Strangely I found the first 100 pages a bit slow – but that might just be me these days – character building with a bit of world building thrown in. Most of the world building had been supplied in the first 2 novels so it wasn’t really required to do much more. A few of the characters from the previous book appeared (including the great character of Molly with her implanted mirror-specs) although they mostly played subsidiary roles here. The story REALLY picked up after page 100 when several revelations dropped which not only changed the speed of the narrative but its overall tone too. Although the closing revelation didn’t have quite the same impact on a 2nd reading, I do remember being totally FLOORED by it the 1st time around. It was a heck of a cliffhanger that has, as yet, not been resolved in any of the authors other novels – I'll leave you to think on how good or bad that idea is! 

Set in the ‘near’ future – it's hard to say exactly when – it's always amusing to see what predictions came true and what was missed. Here we have self-drive cars, instant access to information, laptops (called decks), smart clothes, orbital factories, the casual (if expensive) use of intercontinental supersonic flight, but NO mobile phones. There was one mention of Wi-Fi (as well as how expensive it was) but not a single cell phone. WEIRD! Although this is probably my least favourite of the trilogy – the 2nd book is my favourite – this is still a very good cyberpunk novel and has rightly part of a well-earned classic trilogy. You don’t have to read them in chronological order as they are only loosely connected but I’d recommend that you do so. Recommended to all SF lovers and especially those interested in the Cyberpunk sub-genre.    

Technically speaking (the BEST type) the term Science-Fiction (or 'scientifiction' as termed initially) was created by Hugo Gernsback in 1926. BUT (and an important BUT) the *genre* itself is generally credited to have originated with the publication of Mary Shelley's Frankenstein, written in 1818.

Just Finished Reading: A World in Disarray – American Foreign Policy and the Crisis of the Old Order by Richard Haass (FP: 2017) [328pp] 

Typically, I’m VERY late to the party. Maybe if I had read this book soon after I picked it up, rather than almost 10 years later, I might have been ahead of the news cycle! However, we’re here eventually. 

The world was born refreshed (although birthed in both fire and blood) with the end of World War Two and the beginnings of the Cold War. For a significant part of the world and for a significant period of time things were, generally, stable. This meant than long-term planning and long-term profits were possible and the world entered, somewhat briefly, an era of rapid and persistent growth. As we know now this came to a grinding halt with the 1970’s oil crisis (which feels very familiar right now) and we entered a period of growing instability. When the Berlin Wall fell and, shortly after, the Soviet Union followed some expected things to calm down permanently. They did in fact (quoting Teal’c from Stargate) calm up. The orderly world many of us had been born into or grown up in started to break down. Part of this was to do with the instability in the ex-Soviet states and Russia itself. Part was caused by the rise of China and the slow (relative) decline of the US accelerated by foreign wars and other adventures. Part was caused by economic shocks and the revolutions across the Middle East and South America. Part was caused by the inability of the existing nuclear powers to prevent their proliferation to others like India, Pakistan, North Korea or Israel. Seemingly, without the military and ideological binding of the Cold War things began to spiral out of control. 

The author argues, and I somewhat agree, that at least some of the blame for this state of affairs can be laid at the feet of the United States. Without the Cold War to focus minds the US has struggled to define or decide on its place in the world. Is it enough to be a ‘shinning beacon’ to the rest? Do they need to ‘bang heads’ when other countries step out of line (as in the First Gulf War) or is it OK to support tyrants for the ‘greater’ good (which all too often aligned with American good). More to the point, with shifting political ideals and changes of party at the top could America keep a consistent policy over decades? His central argument (which I disputed) was that the world cannot achieve stability or prosperity WITHOUT US involvement. The question, as always, is what that involvement would look like.  

This was by no means a perfect book. As we know, a GREAT deal has changed in the last 10 years. As I was reading through this, I was more than a little surprised that Trump was not mentioned at all. He did eventually show up in the afterword and the author explained that the original hardback version went to his publishers as the election that Trump (unexpectedly) won was underway. What he did say was that the disarray he saw coming was accelerated in the first year or so of the first Trump administration. I do wonder what he would think now! I did find the text a little boring to be honest. Part of that was the fact that most of what he talked about I was mostly familiar with and that I (mostly) agreed with his analysis – so it contained little new information or ideas. I also thought that, despite his insider knowledge and wide experience, he was rather naive and had the all too usual American blind spots where the world is concerned (in that the rest of the world isn’t America nor does most of it want to be). Overall, though this is a pretty good, high-level, general introduction to global politics post-WW2 and especially post-Cold War as well as a sobering assessment of the future we’re pushing in to. It’s a little out of date at this point but by reading it you’ll have a fair idea of how we got ourselves into this mess. Reasonable and more on this subject to come.

Happy Birthday: Cerys Elizabeth Matthews MBE (born 11 April 1969) is a Welsh singer, songwriter, author, and broadcaster. She was a founding member of Welsh rock band Catatonia and a leading figure in the "Cool Cymru" movement of the late 1990s.

Matthews now hosts a weekly music show on BBC Radio 6 Music, a weekly blues show on BBC Radio 2, and from 2021-2024 co-hosted a weekly show on BBC Radio 4, Add To Playlist, which won the Prix Italia and Prix Europa 2022. She also makes documentaries for television and radio and was a roving reporter for The One Show. She founded "The Good Life Experience", a festival of culture and the great outdoors in Flintshire in 2014, and is author of Hook, Line and Singer, published by Penguin Books, and children's stories Tales from the Deep and Gelert, A Man's Best Friend, published by Gomer. Matthews' illustrated version of Dylan Thomas's Under Milk Wood was published, in November 2022, by Weidenfeld & Nicolson.

Catatonia were formed in 1992, after Matthews met Mark Roberts. She subsequently sang lead vocals on, and co-wrote the music and lyrics for, the band's hits. Songs she co-wrote included "You've Got a Lot to Answer For", "Mulder and Scully", "Dead from the Waist Down", and "Road Rage". Matthews also played guitar on the earlier material before second guitarist Owen Powell joined the band. She also performed a single with the band Space named "The Ballad of Tom Jones", which tells the story of two lovers who want to kill each other, but then hear a Tom Jones song that defuses their homicidal feelings. Matthews later collaborated with Jones to record a version of Frank Loesser's "Baby, It's Cold Outside" on Jones's 1999 album Reload. Matthews was voted the "Sexiest Female in Rock" in a 1999 readers' poll in the now-defunct magazine Melody Maker.

After Catatonia's rise to fame with their second album International Velvet, and subsequent success with Equally Cursed and Blessed, the band returned in 2001 with their fourth studio album, Paper Scissors Stone. In September 2001, the band officially split.

[I saw Cerys sing at Glastonbury in 2000 when she supported The Pet Shop Boys. My friend at the time (who is Welsh) was a HUGE fan of hers and he passed some of that on to me. They were a fun band while they lasted.]

Just Finished Reading: The Accomplice by Joseph Kanon (FP: 2019) [324pp] 

Hamburg, 1962. It was a request that Aaron Wiley could hardly refuse. After suffering a heart attack on the street his uncle was fighting for his life. His uncle, Holocaust survivor, dedicated Nazi Hunter, was convinced that he seen the infamous Dr Otto Schramm in Germany. A man who was supposed to have died in Argentina, a man who had picked his uncle, Max Weill, out of a line of camp inmates to help him with his ‘experiments. It was a face, a way of walking that Max could hardly forget. Aaron was harder to convince but a later incident changed his mind. But what could he do about it? Despite being a desk officer for the CIA, he had no field experience, couldn’t speak the language and had no contacts in Buenos Aires except for the CIA office there. Aaron knew they wouldn’t help him. Why would they? They hadn’t been in the Nazi hunting business since the war ended and they were trying to make nice with the new government now that Peron was out. So, he was on his own. Even Max’s contacts in MOSSAD where less than enthusiastic, especially with the global publicity surrounding the Eichmann kidnapping. But reluctantly, they would help as much as they could, which would be damned little. Aaaron was most definitely on his own... 

I’ve never been disappointed with this author, and he is an auto-buy for me every time I see another of his books in paperback. This was (as expected) no exception to his run of excellent historical/Cold War thrillers. From the first few pages I was hooked. The feel of the novel was somewhere between ‘Marathon Man’ and ‘The Odessa File’ - kind of Cold War, seedy, war criminals hiding (often in plain sight) with higher authorities either turning a blind eye or actively colluding with their disappearance (for a number of reasons – none of them good). One top of this wonderful ‘feel’ we have very good characterisation – you know how I like that – with Max, Aaron, the love interest Hanna (a wonderfully complex multi-layered character) and other less central players. The story itself took turns I wasn’t expecting and surprised me multiple times which I really liked. Nothing worked out quite the way I thought it would. But I think the best part of the novel for me was the completely outstanding dialogue. Not only did it feel REAL it was clever, complex, full of asides and meanings that wouldn’t have been apparent to those without the godlike view of the reader. More than once, I thought that any other character in earshot wouldn’t really know what they were *really* talking about – rather than what they SEEMED to be talking about. It was quite brilliant. 

As you might expect I really enjoyed this – I do seem to be doing very well with novels lately – and the author has confirmed, yet again, his auto-buy status. There is a warning however, being based around the subject matter it is there will be moments of nastiness (to say the least) which some sensitive readers might find rather objectionable. I did have a few nose wrinkling/frowning moments and I consider myself quite Stoic. So, be warned! Obviously recommended but with that caveat in mind. 

DEFINITELY looking for this one. I think we ALL need a copy! I'm already a BIG fan of Penguin Books.... [grin]

Happy Birthday to ME. 66 Today! Let the Book Shopping 'Begin'.... [lol]

Just Finished Reading: Alone on the Beach at Night by Walt Whitman [55pp]

Poetry AGAIN! I do think I'm open to this sort of thing - at least I feel that I am. There have been poems that I've liked (and, indeed, at least partially memorised) but mostly the whole genre passes me by. I'm not entirely sure why. But reading a poem is like reading a random selection of sentences (or even just words) that fail to make any coherent theme in my head. They leave me somewhere between perplexed and bored. It's almost as if I'm reading something in a language I'm aware of but one I'm only partially familiar with. Broadly speaking the meaning of these things - assuming they HAVE any - eludes me! But I'll keep trying as long as the Penguin Classic booklets keep giving examples to be confused by. Maybe I'll hit on one poet I like and that might open me up to liking some others. Stranger thing have indeed happened!

As to the booklet itself, it contained 19 poems - mostly quite short - which seemed to have a common theme of coastlines, beaches and ships at sea. I'm afraid that none of them really stood out. A few where nostalgic looking back at beach trips in the authors childhood and a few were based around storms either during or shortly after the event. Overall, I didn't skim too much but the temptation was definitely there. No doubt there will be more Classic poetry to come... [sighs]    

How Well Does the Algorithm really know me? 

Whenever I’m too tired to read (or even Game) but don’t want to go to bed (yes, I’m stubborn that way) I often find myself listening to music on YouTube – in addition, it must be said, to the music emanating from my radio 15 hours a day. About a month ago I was doing this and after about 30 minutes I thought it would, actually would HAVE, made a decent Blog post if ONLY I had made a note of the actual music tracks. 

So, a few days ago I was idly checking my phone and was prompted to listen to ‘Sleeping on the Blacktop’ by Colter Ward, so I clicked on it. Just as it was going to go to the next track, I noticed what it was and let it run... Then I thought... THIS is what I meant a month ago and grabbed a nearby note pad. Two tracks in I started to wonder: How much of my favourite music will it give me. Just how well does the Algorithm really KNOW me? Quite well, it seems! This is what it presented me with... 

Sleeping on the Blacktop by Colter Ward 

No Roots by Alice Merton 

Smells like Teen Spirit by Nirvana 

Gangsters Paradise by Coolio 

7 Nation Army by The White Stripes 

Song 2 by Blur 

Wonderwall by Oasis 

Solitary Man by Johnny Cash 

Drops of Jupiter by Train 

Breakfast at Tiffanys by Deep Blue Something 

I Think I’m Paranoid by Garbage 

Human by Rag’n Bone Man 

Makeba by Jain 

Barracuda by Heart 

A Thousand Years by Christina Perry 

Home by Machine Gun Kelly, X Ambassadors & Bebe Rexha 

Smooth Criminal by Alien Ant Farm 

Roll the Bones by Shakey Graves 

Chasing Cars by Snow Patrol 

Broken People by Logic & Rag ‘n Bone Man 

Don’t Let me be Misunderstood by Nina Simone 

We Didn’t Start the Fire by Billy Joel 

Black Sheep by Metric (with Brie Larson) 

Creep by Radiohead 

My Silver Lining by First Aid Kit 

...and then it crashed out with something I didn’t like. Not BAD. 25 tracks in a row. I was honestly impressed.  

Happy Birthday: McKinley Morganfield (April 4, 1913 – April 30, 1983), better known as Muddy Waters, was an American blues singer-songwriter and musician who was an important figure in the post-World War II blues scene, and is often cited as the "father of modern Chicago blues". His style of playing has been described as "raining down Delta beatitude".

Muddy Waters grew up on Stovall Plantation near Clarksdale, Mississippi, and by the age of 17 was playing the guitar and the harmonica, copying local blues artists Son House and Robert Johnson. In 1941, Alan Lomax and Professor John W. Work III of Fisk University recorded him in Mississippi for the Library of Congress. In 1943, he moved to Chicago to become a full-time professional musician. In 1946, he recorded his first records for Columbia Records and then for Aristocrat Records, a newly formed label run by brothers Leonard and Phil Chess.

In the early 1950s, Muddy Waters and his band—Little Walter Jacobs on harmonica, Jimmy Rogers on guitar, Elga Edmonds (also known as Elgin Evans) on drums and Otis Spann on piano—recorded several songs that became blues classics, some with the bassist and songwriter Willie Dixon. These songs included "Hoochie Coochie Man", "I Just Want to Make Love to You" and "I'm Ready". In 1958, he traveled to England, laying the foundations of the resurgence of interest in the blues there. His performance at the Newport Jazz Festival in 1960 was recorded and released as his first live album, At Newport 1960.

Muddy Waters' music has influenced various American music genres, including rock and roll and subsequently rock.

Just Finished Reading: The Art of Rest – How to Find Respite in the Modern Age by Claudia Hammond (FP: 2019) [264pp] 

I think I picked this up during a period of increased stress at work – or at least in the aftermath of a stressful time. I honestly don’t deal with stress very well and, as much as possible, avoid it where and when I can. I think I am pretty good at resting though! I don’t feel the pressure of constantly needing to DO something and most certainly don’t suffer (as some of my friends have done much to my bemusement) of FOMO – the ‘fear’ of ‘missing out’, which is something I’ve never really understood. Whatever and how much you do, you will ALWAYS be missing out on SOMETHING – so, get over it! 

Anyway, to the book itself. Rather typically it has taken me around 7 years to read it, which means I’ve actually been retired and living the LOW stress lifestyle for around 6 years now. But it was interesting to see what I could have done to lower or recover from stress by relaxing more. The contents of the book are based on the results of a global survey essentially asking people what they did to relax and then ranking them 1-10 in reverse order. Each section covered the relaxation strategy and, as much as possible, the scientific underpinnings of why and how it worked. I was somewhat surprised, although not completely, by how many of the 10 I actually practiced before reading this. Some of them I felt were pretty obvious whilst others seemed a bit more niche (if not exactly unique to me!). 

The 10th most popular made me laugh a little – Mindfulness. Although I’m aware of the ideas underpinning the idea, my only direct experience with it have been at work where we received advice and a few short training sessions to help us reduce our stress. Much cynicism resulted as we were all convinced that the ‘trendy’ idea was being used purely to tick boxes for Head Office. Number 7 was a Nice Hot Bath which made me smile. For speed and convenience throughout the week it was a shower for me. But on Sunday, as I had the time to take my time, I had a bath instead just to soak there and think about nothing in particular. Perfect. Number 4 was Listening to Music. This I do whenever I can and wherever I can. I used to wear headphones often, plugged into an MP3 player with my favourite downloaded music (or ripped from my CDs). It always made me feel like I was in an MTV music video. Music was on in my house during every waking moment – as it is at this very moment – and it certainly relaxes me (especially the Classical music I listen to 15 hours a day). The top method for relaxation honestly surprised me – Reading. It's not that I don’t think that reading IS relaxing – I certainly relax that way – but that so many people agree with me that it got to number ONE on so many people’s lists!  

So, if you’re struggling to relax and take time off from the daily grind this could be the book for you. It’ll certainly give you some ideas of how to wind down and may well help you achieve a slightly more relaxed outlook. Rather than buying it though I’d recommend you pick it up from your local library. Reasonable.